A Jersey legend keeps making music and remembering his roots.
By Steve Houk
There are plenty of treasures that have to do with the Jersey Shore. The boardwalk. The salt water taffy or the fudge you get there, maybe a Kohr Bros. cone. The old restaurants and legendary bars. And of course, the beautiful beaches.
But the Shore’s biggest treasure might just be the music it inspired. Of course, it gave birth to Bruce, with that Aurora risin’ behind him right there in Asbury Park. But of the slew of other great bands and musicians that have risen out of the sand, surf and beer soaked bars up and down the coast, none screams Jersey Shore louder than Southside Johnny, aka John Lyon, who fed off the influences of his other Shore brethren as well as those who came before all of them and crafted a sound that’s been blasting across the globe for decades now and is still going strong. And it’s been a combination of Lyons’ determination and a little help from his friends that has kept him going this long.
“I love playing so I knew I would play music somehow, but I thought I’d be like most of the guys in Jersey, and play on the weekends and have a regular job and that kinda stuff. But I got very lucky, got some publicity, and Bruce and Steven both helped. My sheer tenacity has kept me goin’.”
At 68, two years older than his childhood buddy Mr. Springsteen, Lyon is still packing clubs and theaters and touring heavily in both the US and Europe, and released his 13th studio record Soultime last year. He and his Jukes appear at The Birchmere on Saturday December 17th.
For Lyon, it was those he surrounded himself with early on that helped pave the way, a group of buddies that seemed to know exactly what they wanted to do from the get go.
“(E Street Band bassist) Garry Tallent was my big inspiration,” Lyon told me recently. “He and I went to high school together, and Sonny Kenn and (original E Street Band drummer) Vini ‘Mad Dog’ Lopez, they were all like, we are going to be musicians. And they were 16 years old! 15, 16, 17 years old. And then I met Steve and Bruce, all these other people, and they all said, we’re gonna be musicians. I’m thinking, how can you know at 17 that there’s not going to be some other path you’re gonna take? They just were so focused. And I joined up with all those people and it was music 24 hours a day. We would listen to it, we would talk about it, we’d play, we’d jam, it just was all music. For years, that’s all we concentrated on. It just became this great obsession with all of us. It was just the greatest time ‘cuz we really had a purpose and a focus.”
And it was that sense of camraderie that continued and pervaded the Jersey Shore music scene, helping the budding musicians to hone and craft their own sounds.
“There was no real competitive scene, in the sense that we all really rooted for each other,” Lyon said. “Steven of course was a big influence because he had so much ambition and he wanted to learn how to produce, and he wanted to learn how to arrange. He really had the push to get things done. Just like Bruce. Bruce was a ball of energy as far as rehearsing and writing and playing.”
Lyon made a decision early on to add horns to his music, something that helped set him apart from other bands on the scene and cemented his trademark sound.
“I was in blues bands, playing and singing, and that’s fine, but two hours of blues just didn’t sound fulfilling for me,” Lyon continued. “I needed to hear some R & B, and some rock and roll, even a little jazz if we wanted to. I wanted it to be a broader palette than just blues. And one of the things I grew up listening to was Count Basie and other big band stuff, then there was the Stax horns. And you think, yeah that’s what I want, I want horns. Steven and I had bands together, we had an acoustic duo, and finally when we started to get into the recording, after Bruce made his first record, I said I’d like horns on some songs, and Steven said yeah, I’d love to have a horn section in the band. So we made the first demo of four songs with some guys from the Asbury Park High School Marching Band, believe it or not. They weren’t skilled musicians but we got what we needed out of ’em. It was alot of fun. The horns have been the thing that makes us unique in some ways but it also…when you start a song and the horns come in, it just takes it up that step and people really get excited, and I do too. It lifts me up, too.”
And like his Shore buddies, the power and magic of the live experience would be something that would not only drive his success from then until now, but it would save his sanity, much like Springsteen recently revealed about himself in his autobiography.
“That’s the place where I feel most comfortable. I went through an anxiety period, and I would really not want to be around people, until I walked on stage and everything was OK. It was the weirdest feeling just to be…you can’t talk to anybody backstage and you just want to run out screaming into the night. And then you walk out on stage and the band starts and you feel completely comfortable and like, everything’s alright. It’s two hours of being who you want to be. For me it has always been therapy, giving it all up on stage, we all learned that from people like Jackie Wilson and Otis Redding and Sam and Dave. If you’re not sweatin’, you’re not workin’.”
Southside Johnny and the Asbury Jukes perform Saturday December 17th at The Birchmere, 3701 Mount Vernon Avenue, Alexandria VA 22305. For tickets, click here.